Christa Blackwood / Kent Krugh September 19 - November 7

Christa Blackwood’s work employs both historic and modern photographic techniques to critique and give a contemporary and feminist voice to her photography. Exploring the idea of “the figure” with a red dot, backgrounded by historical landscape photographs, tradition and contemporary theory mingle, merge and clash. These traditional landscapes - historically photographed by men - act as metaphor for a male view, and through this the feminine metaphor of the “red dot” emerges and creates a visual enigma which deliberately defies this tradition. Often and traditionally portrayed as nudes, the female body in photographs stands in stark contrast to the portrayal of men - often the ones taking the portraits - famous male photographers such a Weston, Steiglitz, Man Ray, etc, who commonly employed “the male gaze” approach. A final, distressing statement is made in the last photo of the series, the red dot itself, with an anonymous female figure, divided.